Juan-Pedro Fabra Guemberena se graduo de La Real Academia de Arte (MFA) en Estocolmo 2002.
Juan-Pedro a dividido su vida entre Montevideo, donde nació y vivió sus primeros años de infancia y Estocolmo donde llegó como refugiado a finales de los 70 con su familia. Esta experiencia es central para su práctica artística que traza narrativas e imágenes de lo extremo y lo sublime.
Su trabajo ha sido exhibido ampliamente a nivel internacional, entre otros en Delays and Revolutions, 50a. Bienal de Venecia, Italia, 2003; Mis Héroes Privados, Museo Marta Herford, Herford, Alemania, 2006; The Moderna Exhibition, Museo de Arte Moderno, Estocolmo, Suecia, 2006; Favoured Nations, 5th Momentum Biennial, Moss, Noruega, 2009; 1a. Bienal de las Américas, Denver, EE.UU., 2013; The School of Kyev, Kiev,Ucrania, 2015; University of Disaster, 57a. Bienal de Venecia, Italia, 2017.
Está representado en colecciones como la del Museo de Arte Moderno, Estocolmo, Suecia; Sammlung Goetz, Munich, Alemania; Fundación Wanås, Knislingen, Suecia.
Desde hace algunos años, reside y trabaja alternativamente en Estocolmo, Berlin y Montevideo
Juan-Pedro Fabra Guemberena graduated from The Royal College of Art (MFA) in Stockholm 2002. Juan-Pedro has divided his life between Montevideo, where he was born and partially raised, and Stockholm, where he arrived as a refugee in the late 70's with his family. This experience has become central to his artistic practice that maps out narratives and imagery of the extreme and sublime.
His work has exhibited extensively internationally, among other in the exhibition Delays and Revolutions at the 50th Venice Biennale, 2003; My Private Heroes Marta Herford Museum, 2006; The Moderna Exhibition, The Modern Museum of Art, Stockholm, 2006; Favored Nations, 5th Momentum Biennial, Moss, 2009; 1st Biennale of The Americas, Denver, 2013, The School of Kyev, Kyev, 2015; University Of Disaster at the 57th Venice Biennale, 2017. He is represented in collections such as The Modern Museum of Art, Stockholm; Sammlung Goetz, München; and The Wanås Foundation, Knislingen, Sweden.
He is currently based between Stockholm, Berlin and Montevideo
https://somethingelse.art/
https://www.sitezones.net/
https://www.instagram.com/p/CzGjND9gBfp/?img_index=1
https://kinderhook-caracas.com/
https://www.archivesites.org/wp-content/uploads/2023/07/PP-Exhibition-Handout.pdf
https://www.youtube.com/watch?v=1Mm4byU4e5c
https://www.dramaten.se/repertoar/sammanflatade
https://statenskonstrad.se/events/konferens-public-memory-monuments-and-difficult-heritages/
https://www.instagram.com/p/CxFe8jNoLIS/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
Konstnärskapet Podcast
https://www.filmform.com/calendar/juan-pedro-fabra-guemberena-pa-kulturhuset/
https://savvy-contemporary.com/en/events/2017/no-burqas-behind-bars/
https://www.e-flux.com/announcements/132683/radenko-milak-international-guestsuniversity-of-disaster/
In a visual public realm dominated by distorted bodies and lacquered kitchen fittings, art should have an exorcising effect – Juan Pedro Fabra Guemberena, artist, Stockholm and Berlin